{"id":40555,"date":"2026-10-05T09:00:02","date_gmt":"2026-10-05T06:00:02","guid":{"rendered":"https:\/\/www.nemunas.press\/?p=40555"},"modified":"2026-10-06T09:39:33","modified_gmt":"2026-10-06T06:39:33","slug":"odeonas-ir-socialine-geda","status":"publish","type":"post","link":"https:\/\/www.nemunas.press\/straipsniai\/odeonas-ir-socialine-geda\/","title":{"rendered":"ODEONAS IR SOCIALIN\u0116 G\u0116DA"},"content":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]<\/p>\n<p>Antika \u0161iandien mums \u0161vie\u010dia kaip tolimas b\u016btojo laiko \u017eiburys, kurio \u0161erdimi laikome kult\u016br\u0105, i\u0161siskleidusi\u0105 \u012fvairiais pavidalais ir u\u017epild\u017eiusi\u0105 vis\u0173 tos epochos \u017emoni\u0173 gyvenim\u0105 vienokiais ar kitokiais aspektais. Senov\u0117s graikams turime b\u016bti d\u0117kingi u\u017e teatro ir odeono suk\u016brim\u0105, nes ir po septyni\u0173 t\u016bkstan\u010di\u0173 met\u0173 i\u0161laik\u0117me svarbiausias \u0161i\u0173 rei\u0161kini\u0173 tradicijas. Po atviru dangumi mediniai, o v\u0117liau akmeniniai pusapvaliai teatro statiniai, atsirad\u0119 apie VI\u00a0a. pr. Kr., prad\u017eioje buvo skirti religin\u0117ms apeigoms, bet galiausiai virto dram\u0173, komedij\u0173 ir tragedij\u0173 rodymo vieta, \u012f kuri\u0105 tilpdavo iki keliolikos t\u016bkstan\u010di\u0173 \u017ei\u016brov\u0173. Poezijos skaitymui, muzikos atlikimui, oratoriniam menui ir dainavimui b\u016btina itin gera akustika, tad apie V\u00a0a. pr. Kr. radosi odeonai\u00a0\u2013 kameriniai teatrai su stogu, gal\u0117j\u0119 priimti daugiausia penkis t\u016bkstan\u010dius klausytoj\u0173.<!--more--><\/p>\n<p>Abu sumanymus per\u0117m\u0117 rom\u0117nai, skirtumas tik tas, kad graikams vaik\u0161\u010dioti \u012f teatr\u0105 buvo pilietin\u0117 pareiga, o plagiatoriams\u00a0\u2013 pasaulietin\u0117 pramoga. Tiesa, odeonas nuo pat prad\u017ei\u0173 buvo skirtas elitui\u00a0\u2013 graiki\u0161kuoju periodu j\u012f lank\u0117 (kaip dabar sakytume) kompetencij\u0173 turintys \u017emon\u0117s, o rom\u0117ni\u0161kuoju\u00a0\u2013 (kaip dabar sakytume) politin\u0117 ir socialin\u0117 grietin\u0117l\u0117, neva myl\u0117jusi auk\u0161t\u0105j\u012f men\u0105 ir ten eidavusi \u0161itai pademonstruoti. I\u00a0a. pr. Kr. did\u017eiausia Antikos imperija i\u0161rado amfiteatrus, tik ten jau nebuvo jokio teatro\u00a0\u2013 vien gyvuli\u0161k\u0173 instinkt\u0173 pritvinkusi masinio eskapizmo erdv\u0117, kurioje gal pus\u0117 milijono tur\u010di\u0173 ir ubag\u0173, valdov\u0173 ir tarn\u0173 tenkino \u201eduonos ir \u017eaidim\u0173\u201c aistr\u0105, steb\u0117dami kovas, med\u017eiokles ir egzekucijas. \u0160itas pramog\u0173 centras tapo populiariausia, greit\u0105 efekt\u0105 ir apskai\u010diuojam\u0105 naud\u0105 pelniusia vieta, \u201eu\u017ekariavusia\u201c Romos \u017emoni\u0173 \u0161irdis. Brutalus, vulgarus, bet (kaip dabar sakytume) dinami\u0161kas ir atrak\u00adtyvus reginys pa\u0117m\u0117 mases akimirksniu.<\/p>\n<p>Jei jas valdai, galia tavo rankose. Nieko nauja. \u201eMenas liaud\u017eiai\u201c irgi i\u0161 tos pa\u010dios operos. Nors ne, kuo \u010dia d\u0117ta opera? Juk j\u0105 pamatyti eina \u017emon\u0117s, norintys patirti katars\u012f, apm\u0105styti gilias dvasines ir filosofines temas. O \u012f teatr\u0105? Solo re\u010dital\u012f? \u017dod\u017eiu, \u0161iame kontekste niekas nepakito. Poezijos klausosi dvide\u0161imt, fortepijono koncerto keli \u0161imtai, elitin\u012f kin\u0105 \u017ei\u016bri keli ar keliasde\u0161imt t\u016bkstan\u010di\u0173 \u017emoni\u0173. Bet sporto rungtynes, popmuzikos koncertus, \u012fvairius \u0161ou, primityvius serialus\u00a0\u2013 milijonai. Ar ka\u017ekas apsivert\u0117 auk\u0161tyn kojom i\u0161rinkt\u0173j\u0173 (perkeltine ir tiesiogine prasme) stovykloje? Tikrai ne\u00a0\u2013 ar\u010diausiai scenos vis dar tebes\u0117di imperatoriai, senatoriai, banksteriai ir gangsteriai\u2026 O tie, kurie nei\u0161gali nusipirkti VIP bilieto, juk moka mokes\u010dius, kad pirmieji\u00a0\u2013 garb\u0117s (kieno?) sve\u010diai\u00a0\u2013 gaut\u0173 vietas u\u017e dyk\u0105.<\/p>\n<p>Taigi klausimas, kod\u0117l t\u016bkstan\u010dius met\u0173 klesti amfiteatrai, bet tokiai ma\u017eai visuomen\u0117s daliai reikalingi kokybi\u0161ki teatrai (suprask \u2013 \u012fvairus geras menas), tebekybo ore. Kad u\u017eaugintum kult\u016brin\u012f kapital\u0105, turi b\u016bti s\u0105moningas investuotojas, galvojantis apie proan\u016bki\u0173 ateit\u012f ir ne\u017evilg\u010diojantis \u012f laikrod\u012f. Ilgalaik\u0117 ir sunkiai ap\u010diuopiama gr\u0105\u017ea politikams\u00a0\u2013 girnapus\u0117 po kaklu. Jokio lengvo BVP, jokios asmenin\u0117s reiting\u0173 naudos. Ir kokiu instrumentu pamatuoti visuomen\u0117s kult\u016br\u0117jim\u0105? Renka mas\u0117s, tad rom\u0117n\u0173 i\u0161radimas patikimas, o va graik\u0173\u2026 Su kult\u016bra (turint galvoje jos radimosi ir vystymosi istorij\u0105) tapatinama Europa ant valstybi\u0173 pe\u010di\u0173 u\u017esimet\u0117 jos i\u0161laikymo na\u0161t\u0105, ta\u010diau nepave\u017ea, d\u016bsta, o mecenatai ne itin \u017eavisi pamaloninimu \u201egarb\u0117s \u017eenkleliais\u201c. Bet \u0161tai jaunut\u0117s JAV, d\u0117l kult\u016bros vis dar patraukiamos per dant\u012f, per du \u0161imtus met\u0173 i\u0161siugd\u0117 tikr\u0105 garb\u0117s reikal\u0105 remti men\u0105, moksl\u0105 ir kitas sritis, nes ten tur\u0117ti pinig\u0173 ir neaukoti yra socialin\u0117 g\u0117da. Ir b\u016btent labdarys, o ne partijos pimpa\u010dkiukas, tampa elitu. Sakysite, jei tur\u0117tume agresyvias mokes\u010di\u0173 lengvatas kaip JAV milijonieriai\u2026 Tai tur\u0117kime! Argi taip baisu prad\u0117ti nauj\u0105 er\u0105, kurioje i\u0161laikyti odeon\u0105\u00a0\u2013 presti\u017eas, o j\u012f lankyti\u00a0\u2013 pilietin\u0117 pareiga?<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_btn title=&#8221;Pirkti \u017eurnal\u0105&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;white&#8221; link=&#8221;url:http%3A%2F%2Fwww.nemunas.press%2Fproduktas%2Fnemunas-nr-9-2026%2F&#8221;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text] Antika \u0161iandien mums \u0161vie\u010dia kaip tolimas b\u016btojo laiko \u017eiburys, kurio \u0161erdimi laikome kult\u016br\u0105, i\u0161siskleidusi\u0105 \u012fvairiais pavidalais ir u\u017epild\u017eiusi\u0105 vis\u0173 tos epochos \u017emoni\u0173 gyvenim\u0105 vienokiais ar kitokiais aspektais. Senov\u0117s graikams turime b\u016bti d\u0117kingi u\u017e teatro ir odeono suk\u016brim\u0105, nes ir po septyni\u0173 t\u016bkstan\u010di\u0173 met\u0173&#8230;<\/p>\n","protected":false},"author":1,"featured_media":40556,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[693,148,110,606],"tags":[136],"class_list":["post-40555","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2026-09","category-perkami_str","category-straipsniai","category-straipsniu-archyvas-2024","tag-kvadratas"],"aioseo_notices":[],"wps_subtitle":"Erika Drungyt\u0117","_links":{"self":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/40555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/comments?post=40555"}],"version-history":[{"count":1,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/40555\/revisions"}],"predecessor-version":[{"id":40557,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/40555\/revisions\/40557"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media\/40556"}],"wp:attachment":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media?parent=40555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/categories?post=40555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/tags?post=40555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}