{"id":37138,"date":"2025-11-03T09:52:38","date_gmt":"2025-11-03T07:52:38","guid":{"rendered":"https:\/\/www.nemunas.press\/?p=37138"},"modified":"2025-11-03T09:54:32","modified_gmt":"2025-11-03T07:54:32","slug":"kietoji-galia-ir-barbarai","status":"publish","type":"post","link":"https:\/\/www.nemunas.press\/straipsniai\/kietoji-galia-ir-barbarai\/","title":{"rendered":"KIETOJI GALIA IR BARBARAI"},"content":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]<\/p>\n<p>\u0160iandien\u0105 d\u017einsai neb\u0117ra darbo apranga, nors XIX\u00a0a. viduryje Levio Strausso prad\u0117ti masi\u0161kai gaminti tam, kad ilgai tarnaut\u0173 aukso kas\u0117jams. D\u017einsuotos moterys ir vyrai nebevadinami ir kaubojais, kurie tas ilgai nedylan\u010dias kelnes i\u0161 tauriojo metalo gavybos permet\u0117 \u012f galvij\u0173 versl\u0105. Nebeatspindi jie ir XX\u00a0a. mai\u0161to, kai daugiausia menininkai liberalizavo kult\u016brin\u012f drabu\u017eio kod\u0105, nulau\u017e\u0119 jo socialin\u0117s nelygyb\u0117s atributi\u0161kum\u0105. M\u0117lynos keln\u0117s, regis, pritinka kiekvienam, nepaisant am\u017eiaus, lyties ar pinigin\u0117s storio. Dabar d\u017einsus gali m\u016bv\u0117ti verslininkas, bankininkas, prezidentas, kirp\u0117jas, \u0161lav\u0117jas, dailininkas, sportininkas, gydytojas, maisto i\u0161ve\u017eiotojas <em>etc<\/em>. I\u0161 reikm\u0117s gim\u0119s praktinis sumanymas tapo patogumo ir visuomen\u0117s demokratizavimo simboliu. Kitaip tariant\u00a0\u2013 mink\u0161t\u0105ja galia, sulyginusia luomus be skerdyni\u0173.<!--more--><\/p>\n<p>Ta\u010diau kalba tur\u0117jo prasid\u0117ti apie vietas, \u012f kurias eidami stengiam\u0117s i\u0161lipti i\u0161 kasdienio r\u016bbo. Taip, j\u0173 spar\u010diai ma\u017e\u0117ja\u00a0\u2013 dar visai neseniai puo\u0161davom\u0117s sugalvoj\u0119 pasivaik\u0161\u010dioti po Laisv\u0117s al\u0117j\u0105, sekmadieniais kulniuodami \u012f mi\u0161ias ar restoran\u0105, net lankydami muziejus ar u\u017esiman\u0119 nukakti \u012f poezijos vakar\u0105\u2026 \u0160iandien\u0105 i\u0161kilminga ar bent jau ne d\u017einsuota apranga i\u0161 spint\u0173 i\u0161traukiama da\u017eniausiai tik ypating\u0173 \u0161ven\u010di\u0173 proga. Visgi retkar\u010diais prisilaikome auk\u0161tuomen\u0117s etiketo\u00a0\u2013 pavyzd\u017eiui, dar jau\u010diame \u0161ioki\u0105 toki\u0105 pareig\u0105 pasidabinti i\u0161siruo\u0161\u0119 \u012f oper\u0105. \u012edomu, kad bendrame kult\u016bros kontekste negalima nepasteb\u0117ti, kaip Europos valstyb\u0117s brangina teatrui skirtus ir nuo Antikos laik\u0173 likusius statinius, ir klasicizmo architekt\u016bros perlus, ir vien\u0105 ar kit\u0105 stili\u0173 m\u0117gd\u017eiojan\u010dius nauj\u0173j\u0173 laik\u0173 \u201edublius\u201c arba leid\u017eia sau suprojektuoti bei pastatyti itin moderni\u0173 \u0161edevr\u0173. Juk opera yra i\u0161skirtinis \u017eanras, scenoje sujung\u0119s daugyb\u0119 meno sri\u010di\u0173 ir i\u0161laik\u0119s senov\u0117s graik\u0173 princip\u0105, kad teatras\u00a0\u2013 svarbiausioji kult\u016bros a\u0161is.<\/p>\n<p>K\u016brybos dovana, kuria i\u0161siskiria tik \u017emogus, sakoma, yra dievi\u0161kumo \u017eenklas. Jos suvokim\u0105 sustiprina visas menas, bet kai kurios sritys ir \u017eanrai\u00a0\u2013 ypa\u010d galingai. Kod\u0117l \u012f \u0161i\u0105 kategorij\u0105 patenka opera? \u010cia turb\u016bt der\u0117t\u0173 prisiminti ba\u017eny\u010dios fenomen\u0105. \u0160ventovi\u0173 pastatai, kaip ir operos r\u016bmai, i\u0161siskiria savo dyd\u017eiu, puo\u0161yba, \u201escena\u201c, akustika, o ten vykstantis ritualo \u201espektaklis\u201c (i\u0161 lotyni\u0161ko <em>spectaculum\u00a0<\/em>\u2013 reginys) yra i\u0161kilmingas ne tik d\u0117l ypatingos aprangos, svarbaus teksto ir nuostabi\u0173 sakralin\u0117s muzikos vokalini\u0173 ar instrumentini\u0173 intarp\u0173. Visos sudedamosios dalys tampa misterija, kurios esminiu akcentu gal\u0117tume laikyti \u017eod\u017eius \u201eauk\u0161tyn \u0161irdis keliame \u012f Vie\u0161pat\u012f\u201c. Opera neabejotinai suteikia pakyl\u0117tumo, stipraus i\u0161gyvenimo, dvasios \u0161oktel\u0117jimo auk\u0161tyn galimyb\u0119. To \u0161is menas pasiekia, kai veikalo autorius, re\u017eisierius ir atlik\u0117jai \u017ei\u016brovui pasi\u016blo tobul\u0105 harmoningos, meistri\u0161kos k\u016brybos derin\u012f, sukeliant\u012f pagarb\u0105, nuostab\u0105, o kartu ir \u0161ventumos poj\u016bt\u012f.<\/p>\n<p>Senojo \u017eemyno barbarams nebuvo k\u0105 niokoti antikiniuose amfiteatruose\u00a0\u2013 juk neparsine\u0161i namo akmeninio \u017ei\u016brov\u0173 suolo. Savo destrukciniams \u201eperformansams\u201c jie pasirinkdavo diev\u0173 buveines bei turting\u0173j\u0173 namus, kuriuose klest\u0117jo vaizduojamasis menas. Su gro\u017eiu ir estetika galima pasielgti dvejopai\u00a0\u2013 arba sunaikinti \/ sugadinti, arba pavogti. Taip atrodo \u201ekietoji galia\u201c. Ji naudota ir prasid\u0117jus raudonajai revoliucijai\u00a0\u2013 jos vardu minia neapykantos vik\u0161rais trai\u0161k\u0117 ir grob\u0117 ba\u017eny\u010dias, dvarus, rezidencijas. O labiausiai burlioki\u0161k\u0105 gaival\u0105 erzino&#8230; oper\u0173 r\u016bmai. Ne tik d\u0117l eksterjero bei interjero prabangos, bet ir d\u0117l \u017eanro eliti\u0161kumo, auk\u0161tesn\u0117s klas\u0117s rafinuotumo. Juk da\u017eniausiai nem\u0117gstame ir neken\u010diame to, ko nesuprantame, nesugebame ir negalime tur\u0117ti. \u201eMenas liaud\u017eiai\u201c banga nuplov\u0117 daug kult\u016bros paveldo \u0161edevr\u0173, kuri\u0173 vieton stojo nuogas pilko betono k\u016bnas. Ta\u010diau dvasiniai poreikiai ne taip lengvai u\u017edusinami, nes i\u0161 kolektyvin\u0117s atminties niekur nedingsta. Ar ne jie labiausiai \u017eeid\u017eia primityv\u0173, pikt\u0105, \u017eiaur\u0173 barbar\u0105, visais laikais atsirandant\u012f kult\u016bros agoroje, kad nudirt\u0173 gyv\u0105 k\u016brybingumo od\u0105?<\/p>\n<p>&nbsp;<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_btn title=&#8221;Pirkti \u017eurnal\u0105&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;white&#8221; link=&#8221;url:http%3A%2F%2Fwww.nemunas.press%2Fproduktas%2Fnemunas-nr-10-2025%2F&#8221;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text] \u0160iandien\u0105 d\u017einsai neb\u0117ra darbo apranga, nors XIX\u00a0a. viduryje Levio Strausso prad\u0117ti masi\u0161kai gaminti tam, kad ilgai tarnaut\u0173 aukso kas\u0117jams. D\u017einsuotos moterys ir vyrai nebevadinami ir kaubojais, kurie tas ilgai nedylan\u010dias kelnes i\u0161 tauriojo metalo gavybos permet\u0117 \u012f galvij\u0173 versl\u0105. Nebeatspindi jie ir XX\u00a0a&#8230;.<\/p>\n","protected":false},"author":1,"featured_media":37139,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[661,148,110,606],"tags":[136],"class_list":["post-37138","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2025-10","category-perkami_str","category-straipsniai","category-straipsniu-archyvas-2024","tag-kvadratas"],"aioseo_notices":[],"wps_subtitle":"Erika DRUNGYT\u0116","_links":{"self":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/37138","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/comments?post=37138"}],"version-history":[{"count":1,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/37138\/revisions"}],"predecessor-version":[{"id":37140,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/37138\/revisions\/37140"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media\/37139"}],"wp:attachment":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media?parent=37138"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/categories?post=37138"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/tags?post=37138"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}