{"id":34654,"date":"2024-12-23T12:03:30","date_gmt":"2024-12-23T10:03:30","guid":{"rendered":"https:\/\/www.nemunas.press\/?p=34654"},"modified":"2024-12-23T12:19:38","modified_gmt":"2024-12-23T10:19:38","slug":"sklandantys-aitvarai-skrajojancios-veles","status":"publish","type":"post","link":"https:\/\/www.nemunas.press\/e-publikacija\/sklandantys-aitvarai-skrajojancios-veles\/","title":{"rendered":"SKLANDANTYS AITVARAI, SKRAJOJAN\u010cIOS V\u0116L\u0116S"},"content":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]<strong>Laimos Or\u017eekauskien\u0117s-Ore paroda \u201eTekstil\u0117s es\u0117\u201c Vilniaus dail\u0117s akademijos parod\u0173 sal\u0117se \u201eTitanikas\u201c\u00a0<\/strong><\/p>\n<p>Viena vertus, tarsi nesmagu, jog iki apsilankymo parodoje \u201eTekstil\u0117s es\u0117\u201c Laimos Or\u017eekauskien\u0117s-Ore pavard\u0117 man nebuvo gird\u0117ta, o k\u016bryba nematyta. Kita vertus, sakoma \u201enor\u0117\u010diau b\u016bti nemat\u0119s, neskait\u0119s, negird\u0117j\u0119s\u201c, i\u0161rei\u0161kiant nor\u0105 darkart, i\u0161 naujo ir lyg pirm\u0105 kart\u0105 i\u0161gyventi labai \u012fsiminusias patirtis. Tad beveik galiu sakyti, kad susipa\u017einusieji su Or\u017eekauskien\u0117s-Ore menine veikla man tur\u0117t\u0173 ko baltai pavyd\u0117ti\u00a0\u2013 pirmosios akistatos su meninink\u0117s k\u016bryba. Pasisek\u0117, jog pirmas susid\u016brimas (vos nepara\u0161iau\u00a0\u2013 \u201esusipa\u017einimas\u201c) \u012fvyko ne su kuriuo nors pavieniu tekstilinink\u0117s darbu, o su visa pastar\u0173j\u0173 met\u0173 k\u016bryb\u0105 pristatan\u010dia paroda.<\/p>\n<p><!--more--><\/p>\n<p>\u0160iek tiek keista\u00a0\u2013 ekspozicijoje joki\u0173 garso \u0161altini\u0173 n\u0117ra, ta\u010diau rodomi k\u016briniai paliko garsinius ar net taktilinius \u012fsp\u016bd\u017eius. \u0160nab\u017edesiai ir \u0161naresiai, plazd\u0117jimai, prisilietimai ir glostymai, audeklo i\u0161vyniojimai ir puslapio vertimai aidi visoje parodoje ir apsupa \u017ei\u016brov\u0105. \u017dinoma, tam reikia \u012fd\u0117ti \u0161iek tiek pastang\u0173, regimas tapiserijas vaizduot\u0117je papildyti su\u017eadintais kit\u0173 jusli\u0173 \u012fsp\u016bd\u017eiais, \u012fsiklausant \u201epagauti\u201c ekspozicijos ritmik\u0105. Manau, vienas raktini\u0173 parodos \u017eod\u017ei\u0173 gal\u0117t\u0173 b\u016bti prielinksnis \u201etarp\u201c: k\u016briniai ne tik veikia ka\u017ekur tarp vaizdo ir garso, bet ir tarsi\u00a0 po audiniais pasisl\u0117pusios ir i\u0161 nematom\u0173 \u012f matomas virtusios v\u0117l\u0117s skrajoja tarp \u201e\u010dia\u201c ir \u201eten\u201c, jie tiek pat tu\u0161ti, kiek pilni, tiek pat slepia, kiek ir rodo. Ta\u010diau \u0161ios parodos atveju, \u017eaidimas opozicijomis n\u0117ra betikslis. Meninink\u0117 tarytum i\u0161ry\u0161kina savitarpio susietum\u0105; paradoksal\u0173 tre\u010di\u0105j\u012f keli\u0105 i\u0161 galim\u0173 dviej\u0173. Turb\u016bt b\u016btent tai man, kaip \u017ei\u016brovui, ir formuoja asociacijas su v\u0117l\u0117mis, kurios nei gyvos, nei mirusios.<\/p>\n<div id=\"attachment_34726\" style=\"width: 1814px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-34726\" class=\"wp-image-34726 size-full\" src=\"https:\/\/www.nemunas.press\/wp-content\/uploads\/2024\/12\/laima_1.jpg\" alt=\"\" width=\"1804\" height=\"1200\" srcset=\"https:\/\/www.nemunas.press\/wp-content\/uploads\/2024\/12\/laima_1.jpg 1804w, https:\/\/www.nemunas.press\/wp-content\/uploads\/2024\/12\/laima_1-500x333.jpg 500w, https:\/\/www.nemunas.press\/wp-content\/uploads\/2024\/12\/laima_1-768x511.jpg 768w, https:\/\/www.nemunas.press\/wp-content\/uploads\/2024\/12\/laima_1-1536x1022.jpg 1536w, https:\/\/www.nemunas.press\/wp-content\/uploads\/2024\/12\/laima_1-700x466.jpg 700w, https:\/\/www.nemunas.press\/wp-content\/uploads\/2024\/12\/laima_1-1100x732.jpg 1100w, https:\/\/www.nemunas.press\/wp-content\/uploads\/2024\/12\/laima_1-600x399.jpg 600w\" sizes=\"auto, (max-width: 1804px) 100vw, 1804px\" \/><p id=\"caption-attachment-34726\" class=\"wp-caption-text\">Laimos O\u017eekauskien\u0117s-Ore paroda VDA parod\u0173 sal\u0117se &#8222;Titanikas&#8221;. Parodos reng\u0117j\u0173 nuotrauka<\/p><\/div>\n<p>Nei\u0161manau \u0161iuolaikini\u0173 tekstil\u0117s k\u016brybos strategij\u0173 ir technologini\u0173 subtilybi\u0173, tad nesiimsiu sp\u0117lioti, kaip konkre\u010diai Or\u017eekauskien\u0117s-Ore k\u016briniai atlikti, bet norisi pasteb\u0117ti, jog \u0161is tarpinumas, arba tarpi\u0161kumas, itin ry\u0161kus ir formaliuoju-med\u017eiaginiu parodos darb\u0173 po\u017ei\u016briu: nors autor\u0117 yra tekstilinink\u0117, ta\u010diau eksponuojami k\u016briniai perteikia skirting\u0173 meno sri\u010di\u0173 elementus: tai ir (nei) paveikslas, ir (nei) fotografija, ir (nei) tekstil\u0117, ir (nei) grafika, ir (nei)&#8230; N\u0117ra abejoni\u0173, kuri rai\u0161ka \u010dia pamatin\u0117, visgi tekstil\u0117 meninink\u0117s k\u016bryboje veikia i\u0161pl\u0117stinio lauko principu, atsisakant grie\u017et\u0173 disciplinos nuostat\u0173.<\/p>\n<p>Pana\u0161iai tarpin\u0117 b\u016bsena atskleid\u017eia ir vidin\u012f parodos k\u016brini\u0173 laik\u0105\u00a0\u2013 eksponatai tarsi belaikiai, jie kalba visais\u00a0\u2013 praeities, dabarties ir ateities\u00a0\u2013 modalumais vienu metu. Ar tibetieti\u0161kos khatos (apeiginiai \u0161aliai) jau kam nors \u012fteiktos ir lam\u0173 pa\u0161ventintos, ar jos dar ruo\u0161iamos tuoj \u012fvyksian\u010diam (dabar vykstan\u010diam?) \u012fteikimui, o gal \u0161ventinimui? Patalyn\u0117 sulankstyta ir sud\u0117ta prie\u0161 apvelkant ar po (t\u0117vo) k\u016bno s\u0105ly\u010dio su ja? O audeklu u\u017eklotas suolas\u00a0\u2013 s\u0117d\u0117jusieji jau pakilo ar tik rengiasi pris\u0117sti? K\u016brini\u0173 vaizdai stati\u0161ki, ta\u010diau pla\u010diausiai atveriantys galimybes kurti pasakojimus ir numanyti istorijas su vis kintan\u010diomis prad\u017eiomis ir pabaigomis. Audini\u0173, draperij\u0173, klos\u010di\u0173, taip pat vyno, pieno, mald\u0173, ra\u0161to semantika itin plati, \u017ei\u016brovas k\u016brinius gali interpretuoti skirtingiausiais aspektais. Neretai toks \u201eatvirumas\u201c paki\u0161a koj\u0105, nes b\u016bna simuliuojamas, nepagr\u012fstas ar papras\u010diausiai nuobodus, kai \u201eapie visk\u0105\u201c tampa \u201eapie niek\u0105\u201c. \u201eTekstil\u0117s es\u0117\u201c yra vienas neda\u017en\u0173 atvej\u0173, kai k\u016brini\u0173 daugiasluoksni\u0161kumas ir parodos daugiabriauni\u0161kumas ne u\u017egri\u016bva varginan\u010dia aspekt\u0173 bei niuans\u0173 kiekybe, o apgaubia apgalvota besvore kokybe, nes juk, anot Parmenid\u0105 perfrazavusio Milano Kunderos, pozityvu tai, kas lengva.<\/p>\n<p>Sunku apie \u0161i\u0105 Or\u017eekauskien\u0117s-Ore parod\u0105 kalb\u0117ti ne taip abstrak\u010diai, atsisakant \u201etarsi\u201c. Paroda skatina tolti nuo apibr\u0117\u017etum\u0173, konkretybi\u0173 ir ie\u0161koti a\u0161tri\u0173 kamp\u0173 neturin\u010dios min\u010di\u0173 rai\u0161kos. \u201eTekstil\u0117s es\u0117\u201c visus \u012f\u017eodinimus paver\u010dia auk\u0161tyn kylan\u010diais (parodoje daug vertik\u00e3li\u0173) ir atmosferos sluoksnius kertan\u010diais balionais ar veikiau (mitologiniais) aitvarais, regin\u010diais\u00a0\u2013 jei tik gal\u0117t\u0173 reg\u0117ti\u00a0\u2013 visk\u0105 i\u0161 auk\u0161tai ir tik tai, kas esmi\u0161ka, smulkmenoms bei detal\u0117ms it gyvsidabriui suplaukiant \u012f visumas. \u0160is tekstas labiau pad\u0117ka nei kritika. Tiksliau, \u0161is tekstas tarp d\u0117kojimo ir recenzijos. Pavyd\u017eiu tiems, kurie parod\u0105 dar tik planuoja aplankyti.[\/vc_column_text][vc_masonry_media_grid grid_id=&#8221;vc_gid:1734948013522-6aa0256f-4717-4&#8243; include=&#8221;34730,34729,34728,34727,34726&#8243;][vc_column_text]<\/p>\n<p><span style=\"font-size: 12px;\">Laimos O\u017eekauskien\u0117s-Ore paroda VDA parod\u0173 sal\u0117se &#8222;Titanikas&#8221;. Parodos reng\u0117j\u0173 nuotraukos<\/span><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]Laimos Or\u017eekauskien\u0117s-Ore paroda \u201eTekstil\u0117s es\u0117\u201c Vilniaus dail\u0117s akademijos parod\u0173 sal\u0117se \u201eTitanikas\u201c\u00a0 Viena vertus, tarsi nesmagu, jog iki apsilankymo parodoje \u201eTekstil\u0117s es\u0117\u201c Laimos Or\u017eekauskien\u0117s-Ore pavard\u0117 man nebuvo gird\u0117ta, o k\u016bryba nematyta. Kita vertus, sakoma \u201enor\u0117\u010diau b\u016bti nemat\u0119s, neskait\u0119s, negird\u0117j\u0119s\u201c, i\u0161rei\u0161kiant nor\u0105 darkart, i\u0161 naujo ir&#8230;<\/p>\n","protected":false},"author":1462,"featured_media":34727,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[622],"tags":[247,625],"class_list":["post-34654","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-e-publikacija","tag-daile","tag-tekstile"],"aioseo_notices":[],"wps_subtitle":"Tautvydas Petrauskas","_links":{"self":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/34654","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/users\/1462"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/comments?post=34654"}],"version-history":[{"count":4,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/34654\/revisions"}],"predecessor-version":[{"id":34731,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/34654\/revisions\/34731"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media\/34727"}],"wp:attachment":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media?parent=34654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/categories?post=34654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/tags?post=34654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}