{"id":32482,"date":"2023-10-22T18:16:22","date_gmt":"2023-10-22T16:16:22","guid":{"rendered":"https:\/\/www.nemunas.press\/?p=32482"},"modified":"2023-10-22T18:16:22","modified_gmt":"2023-10-22T16:16:22","slug":"jokia-moteris-negali-tapyti-meno-istorija-be-vyru-koreguoja-beveik-600-metu-vyriskos-meno-kritikos-tradicija","status":"publish","type":"post","link":"https:\/\/www.nemunas.press\/straipsniai\/jokia-moteris-negali-tapyti-meno-istorija-be-vyru-koreguoja-beveik-600-metu-vyriskos-meno-kritikos-tradicija\/","title":{"rendered":"\u201eJOKIA MOTERIS NEGALI TAPYTI\u201c: \u201eMENO ISTORIJA BE VYR\u0172\u201c KOREGUOJA BEVEIK 600 MET\u0172 VYRI\u0160KOS MENO KRITIKOS TRADICIJ\u0104"},"content":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text el_class=&#8221;post_txt&#8221;]<em>Ar esate gird\u0117j\u0119 apie siurrealist\u0119 fotograf\u0119 Lee Miller? Arba apie itin politi\u0161k\u0105 DADA fotomonta\u017eo k\u016br\u0117j\u0105 Hannah\u2019\u0105 H\u00f6ch? XIX\u00a0a. skulptor\u0117 Edmonia Lewis, kaip ir XX\u00a0a. Barbara Hepworth, sulauk\u0117 \u0161lov\u0117s ir pripa\u017einimo, bet n\u0117 viena i\u0161 \u0161i\u0173 moter\u0173 menininki\u0173 nepasiek\u0117 \u201evisuotino pripa\u017einimo\u201c statuso, kaip Salvadoras Dali, Marcelis\u00a0Duchamp\u2019as ar Henry\u2019is Moore\u2019as, ta\u010diau ne tod\u0117l, kad jos n\u0117ra tokios pat svarbios, novatori\u0161kos ar pa\u017eangios.<!--more--><\/em><\/p>\n<p><em>Katy\u2019\u0117s Hessel u\u017emojis apra\u0161yti, i\u0161skirti, pagerbti ir chronologizuoti pernelyg da\u017enai u\u017emir\u0161tam\u0105 moter\u0173 ind\u0117l\u012f \u012f men\u0105\u00a0\u2013 \u012fsp\u016bdingas ir pribrend\u0119s. Jos knyga \u201eMeno istorija be vyr\u0173\u201c yra enciklopedin\u0117 ir apimties, ir tikslo po\u017ei\u016briu.<\/em><\/p>\n<p>SVARBUS VAISTAS<\/p>\n<p>Pasi\u0117miau knyg\u0105 su savimi \u012f tolim\u0105 skryd\u012f ir ji u\u017e\u0117m\u0117 did\u017ei\u0105j\u0105 dal\u012f mano rankinio baga\u017eo. Fizi\u0161kai tai labai sunkus k\u016brinys\u00a0\u2013 rimtas atsakas \u012f \u0161e\u0161i\u0173 \u0161imtme\u010di\u0173 meno kritik\u0105, orientuot\u0105 \u012f vyrus. \u0160is veikalas yra solidus priminimas, kad nors moter\u0173 ind\u0117lis \u012f men\u0105 nuolat buvo nepastebimas arba nustumtas \u012f \u0161al\u012f, tai jokiu b\u016bdu neatspindi j\u0173 k\u016brybos apimties.<\/p>\n<p>Knyga \u201eMeno istorija be vyr\u0173\u201c remiasi dviem svarbiausiais tekstais. Pirmasis ai\u0161kiai atpa\u017e\u012fstamas jos pavadinime: Ernsto Gombricho \u201eMeno istorija\u201c buvo \u012fvadinis vadov\u0117lis i\u0161tisoms vaizduojamojo meno student\u0173 kartoms. Moterys jos puslapiuose beveik visi\u0161kai neminimos. K.\u00a0Hessel teigia, kad 1950\u00a0m. i\u0161leistame E.\u00a0Gombricho leidinyje nebuvo n\u0117 vienos meninink\u0117s. Netgi atnaujinus 16-\u0105j\u012f leidim\u0105, moter\u0173 skai\u010dius jame padid\u0117jo iki vienos. (Verta pamin\u0117ti, kad Giorgio\u00a0Vasari \u201eDailinink\u0173 gyvenimuose\u201c, pirm\u0105 kart\u0105 i\u0161leistuose 1550\u00a0m., fig\u016bruoja keturios moterys dailinink\u0117s).<\/p>\n<p>Man norisi K.\u00a0Hessel knyg\u0105 pavadinti E.\u00a0Gombricho leidinio \u201epalydove\u201c, ta\u010diau toks apib\u016bdinimas klaidingas. Moterys nuo seno buvo vyr\u0173 \u201ekompanion\u0117s\u201c meno pasaulyje; o \u0161i knyga yra apie menininkes kaip tokias, o ne kaip vyr\u0173 pagalbininkes. Tai pataisa apgail\u0117tinai nesubalansuotam, vienpusi\u0161kam meno istorijos supratimui, kuris kartu su mumis pasiek\u0117 XXI\u00a0am\u017ei\u0173.<\/p>\n<p>Antrasis K.\u00a0Hessel tekstas, kuriuo ji remiasi, yra 1971\u00a0m. \u201eARTnews\u201c \u017eurnale pasirod\u0119s Lindos Nochlin straipsnis \u201eKod\u0117l nebuvo did\u017ei\u0173 moter\u0173 menininki\u0173?\u201c L.\u00a0Nochlin pavadino vyri\u0161k\u0105j\u012f menininko-herojaus mit\u0105 kaip \u201ei\u0161tis\u0105, romanti\u0161k\u0105, elitistin\u0119, individualistin\u0119 ir monografijas gaminan\u010di\u0105 pakraip\u0105, kuria grind\u017eiama meno istoriko profesija\u201c.<\/p>\n<p>L.\u00a0Nochlin id\u0117jos, stulbinusios tuo metu, kai buvo paskelbtos pirm\u0105 kart\u0105, teb\u0117ra kult\u016bri\u0161kai reik\u0161mingos. Londono nacionalin\u0117s galerijos kolekcijoje moter\u0173 menininki\u0173 darbai sudaro tik 1 proc. (tiksliau\u00a0\u2013 21 i\u0161 2300.) Pirmoji didel\u0117 personalin\u0117 moters dailinink\u0117s\u00a0\u2013 Artemisios Gentileschi \u2013 paroda ten buvo surengta tik 2020\u00a0m. (A.\u00a0Gentileschi tam prireik\u0117 400 met\u0173).[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text]<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_btn title=&#8221;Pirkti \u017eurnal\u0105&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;white&#8221; link=&#8221;url:http%3A%2F%2Fwww.nemunas.press%2Fproduktas%2Fnemunas-nr-10-2023%2F&#8221;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0160is straipsnis \u2013 ne apie feminizm\u0105. Jis apie meno istorij\u0105. Ir apie jos korekt\u016br\u0173 pasekmes m\u016bs\u0173 kult\u016bros suvokimui. Ir apie tai, kad fakt\u0173 sl\u0117pimas niekada nesibaigia gerai.<\/p>\n","protected":false},"author":1,"featured_media":32483,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[576,148,110,553],"tags":[363],"class_list":["post-32482","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2023-10","category-perkami_str","category-straipsniai","category-straipsniu-archyvas-2023","tag-kultura-ir-istorija"],"aioseo_notices":[],"wps_subtitle":"EDWINA PRESTON","_links":{"self":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/32482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/comments?post=32482"}],"version-history":[{"count":1,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/32482\/revisions"}],"predecessor-version":[{"id":32484,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/32482\/revisions\/32484"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media\/32483"}],"wp:attachment":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media?parent=32482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/categories?post=32482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/tags?post=32482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}