[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]Nuo XVI iki XVIII\u00a0am\u017eiaus Europos dail\u0117je, kuri, be ba\u017enytini\u0173 tem\u0173, aktyviai eksploatavo antikin\u0119 mitologij\u0105, labai i\u0161plito vienas siu\u017eetas, pakartotas skirting\u0173 dailinink\u0173\u00a0\u2013 Kupidono (Am\u016bro, Eroto) nubaudimas. Ko gera, Renesanso bei i\u0161 jo i\u0161ried\u0117jusio Baroko epochose buvo gerokai pripainioti graik\u0173 ir rom\u0117n\u0173 mitai, prigalvota nauj\u0173 siu\u017eet\u0173 ir\u00a0\u2013 pagal krik\u0161\u010dioni\u0161k\u0105j\u0105 pasaul\u0117\u017ei\u016br\u0105\u00a0\u2013 alegorij\u0173. Tad t\u0105 varg\u0161\u0105 nuog\u0105 sparnuot\u0105 ma\u017eyl\u012f su lanku bei str\u0117line gaudyti, prilupti ir pa\u017eaboti tegal\u0117jo visai kitos pasaul\u0117\u017ei\u016bros kult\u016broje u\u017eaug\u0119 menininkai, nieko bendra neturintys su gaivalinga, gamtos stichijoms atsidavusia Antika.<\/p>\n
Sunku b\u016bt\u0173 i\u0161vardyti visus dailininkus, pakartojusius Kupidono sparn\u0173 pa- arba nu- kirpimo motyv\u0105, nors, ties\u0105 sakant, greta j\u0173 tur\u0117t\u0173 rikiuotis ir si\u016bliusieji t\u0105 dievuk\u0105 su\u010diupti tinklais, gerokai pamokyti pagr\u016bmojant ar trinktelint per mink\u0161t\u0105j\u0105 sulau\u017eytu jo lanku. Kas gi baud\u0117jas? Negailestingas laisvos meil\u0117s ir erotikos, nebrandaus, iracionalaus, \u0161ird\u012f su\u017eeid\u017eian\u010dio nepastovaus jausmo neig\u0117jas? Tai\u00a0\u2013 Laikas. Graik\u0173 Chronas, rom\u0117n\u0173 Saturnas (\u0161is dar ir \u017eemdirbyst\u0117s glob\u0117jas)\u00a0\u2013 barzdoti ir jau pra\u017eil\u0119, bet raumeningi vyrai su did\u017eiuliais lyg arkangel\u0173 sparnais, pasi\u010diup\u0119 pjautuv\u0105 ar dalg\u012f (ne, ne giltin\u0117s, \u016bkinink\u0173), vaik\u0117si t\u0105 putto<\/em> po laukus lyg drugel\u012f, kol sugav\u0119 pakirpdavo plunksnas ar visai nur\u0117\u017edavo ma\u017eutes skraidymo priemones.<\/p>\n Ant vieno i\u0161 XVII\u00a0a. sparn\u0173 kirpim\u0105 vaizduojan\u010di\u0173 k\u016brini\u0173 dailininkas Fran\u00e7ois Perrier u\u017era\u0161\u0117: \u201eMeil\u0117 nugali visk\u0105, bet laikas nugali Meil\u0119.\u201c Tai kaipgi \u010dia i\u0161eina, jei pagrindinis krik\u0161\u010dionyb\u0117s \u0161\u016bkis yra atvirk\u0161\u010dias? Dar daugiau\u00a0\u2013 Kristus sakosi pats es\u0105s meil\u0117, ir tik mylintys \u017emon\u0117s bus i\u0161ganyti. Regis, Renesansas, atgaivin\u0119s ir i\u0161populiarin\u0119s senuosius mitus, bus pakliuv\u0119s \u012f savo paties pinkles. Nors i\u0161silaisvin\u0119s i\u0161 vadinam\u0173j\u0173 tamsi\u0173j\u0173 am\u017ei\u0173 grie\u017etumo, perd\u0117t\u0173 moral\u0117s norm\u0173 ir mokslo persekiojimo \u0117m\u0117 ne\u017eabotai vaizduoti nuogus k\u016bnus, vis tik gamtos, vadinasi, ir aistros, jau niekada nesulyd\u0117 \u012f vien\u0105 visum\u0105 su dvasingumu. Kiek kitaip nutiko romantizmo laikotarpiu, kai pli\u016bptel\u0117jo nevar\u017eomo jausmo blyksni\u0173 banga, kai d\u0117l meil\u0117s buvo madinga net nusi\u017eudyti\u00a0\u2013 per \u0161i\u0105 epoch\u0105 Kupidono str\u0117l\u0117s v\u0117l skriejo niekieno nesulaikomos.<\/p>\n \u017dinoma, pavasaris ir jaunyst\u0117 yra ma\u017e\u0173j\u0173 v\u0117javaiki\u0173 metas, kai \u201eangeliukai\u201c u\u017eri\u0161tomis akimis (lyg Sandro Botticellio paveiksle \u201eLa Primavera\u201c) \u0161audo, kur pakli\u016bva. Argi tiems \u017eaidimams reikia proto? Bet pavasar\u012f lygiai taip pat greta sen\u0173j\u0173 apeig\u0173 su margu\u010diais, rei\u0161kian\u010diais vaisingum\u0105 bei atgimim\u0105, jau nebei\u0161trinamai stovi ir prisik\u0117lusio i\u0161 mirusi\u0173j\u0173 Dievo fig\u016bra. Dvi kult\u016bros, dvi esm\u0117s, visur \u017eymimos \u201eiki\u201c ir \u201epo\u201c. B\u016btent toji \u201epo\u201c prisiliet\u0117 Renesanso meninink\u0173 teptuk\u0173 bei pie\u0161tuk\u0173, ie\u0161kodama atsakymo \u012f klausim\u0105\u00a0\u2013 o kas yra daugiau u\u017e gaival\u0105? U\u017e tas u\u017eri\u0161tas akis, kai nubraukiama atsakomyb\u0117, \u012fsipareigojimas, nuogumas, nenumaldomi k\u016bno tro\u0161kimai? Nes pagrindinis skirtumas tarp piktd\u017eiugi\u0161kai kvatojan\u010dio, \u017eeid\u017eian\u010dio Kupidono ir d\u0117l meil\u0117s \u017emonijai pasiaukojusio Kristaus\u00a0\u2013 trumpalaiki\u0161kumo ir am\u017einyb\u0117s prie\u0161prie\u0161a. Gal tod\u0117l Chronas, gal tod\u0117l nesibaigiantis ir i\u0161mintingas prie\u0161 jaun\u0105, kvail\u0105, baigtin\u012f.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_btn title=”Pirkti \u017eurnal\u0105” style=”classic” shape=”square” color=”white” link=”url:http%3A%2F%2Fwww.nemunas.press%2Fproduktas%2Fnemunas-nr-4-2023%2F”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":" [vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_column_text]Nuo XVI iki XVIII\u00a0am\u017eiaus Europos dail\u0117je, kuri, be ba\u017enytini\u0173 tem\u0173, aktyviai eksploatavo antikin\u0119 mitologij\u0105, labai i\u0161plito vienas siu\u017eetas, pakartotas skirting\u0173 dailinink\u0173\u00a0\u2013 Kupidono (Am\u016bro, Eroto) nubaudimas. Ko gera, Renesanso bei i\u0161 jo i\u0161ried\u0117jusio Baroko epochose buvo gerokai pripainioti graik\u0173 ir rom\u0117n\u0173 mitai, prigalvota nauj\u0173 siu\u017eet\u0173…<\/p>\n","protected":false},"author":1,"featured_media":31910,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[542,148,110,553],"tags":[136],"class_list":["post-31909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2023-02","category-perkami_str","category-straipsniai","category-straipsniu-archyvas-2023","tag-kvadratas"],"aioseo_notices":[],"wps_subtitle":"Erika DRUNGYT\u0116","_links":{"self":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/31909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/comments?post=31909"}],"version-history":[{"count":1,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/31909\/revisions"}],"predecessor-version":[{"id":31911,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/31909\/revisions\/31911"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media\/31910"}],"wp:attachment":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media?parent=31909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/categories?post=31909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/tags?post=31909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}