{"id":27926,"date":"2020-10-19T22:24:06","date_gmt":"2020-10-19T20:24:06","guid":{"rendered":"http:\/\/www.nemunas.press\/?p=27926"},"modified":"2021-01-20T18:24:02","modified_gmt":"2021-01-20T16:24:02","slug":"zemiska-augaliska-gailestinga-keletas-nomedos-saukienes-tapybos-pozymiu","status":"publish","type":"post","link":"https:\/\/www.nemunas.press\/straipsniai\/zemiska-augaliska-gailestinga-keletas-nomedos-saukienes-tapybos-pozymiu\/","title":{"rendered":"\u017demi\u0161ka, augali\u0161ka, gailestinga. Keletas Nomedos Saukien\u0117s tapybos po\u017eymi\u0173"},"content":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text el_class=&#8221;post_txt&#8221;]Kai \u201egyvai\u201c susipa\u017einau su Nomeda, ji papasakojo istorij\u0105, kaip savo gyvenamosiose Dusetose (tiksliau\u00a0\u2013 j\u0173 \u201epriemiestyje\u201c\u00a0\u2013 U\u017etilt\u0117je, nuo \u201emetropolijos\u201c atskirtoje per Sartus tekan\u010dios \u0160ventosios up\u0117s), visai \u0161alia nam\u0173, prie kelio, band\u0117 i\u0161saugoti med\u017eius. Kelininkai \u201eval\u0117\u201c ruo\u017e\u0105 prie Sauk\u0173 sodybos, pa\u017eym\u0117dami kelis pasmerktuosius ry\u0161kiais, fluorescenci\u0161kai oran\u017einiais ta\u0161kais. Vakare tapytoja, slapstydamasi nuo prava\u017eiuojan\u010di\u0173 automobili\u0173 \u0161vies\u0173, lyg kokia a\u0161traus ir \u012ftempto filmo heroj\u0117, tas nuosprend\u012f \u017eenklinan\u010dias d\u0117mes tryn\u0117, \u0161i\u016bravo, br\u016b\u017eino \u017eoli\u0173 kuok\u0161tu, \u201eapklijavo\u201c samanomis, \u017eem\u0117mis, \u0161iaudais, pernyk\u0161\u010diais lapais. Med\u017eius Nomeda i\u0161gelb\u0117jo&#8230;<!--more--><\/p>\n<p>\u0160i istorija charakterizuoja ne tik dailinink\u0119, bet ir pa\u010di\u0105 jos k\u016bryb\u0105.<\/p>\n<p>Nes, vis\u0173 pirma, N. Saukien\u0117s tapyb\u0105 galima pavadinti, apib\u016bdinti, apibr\u0117\u017eti kaip \u017eemi\u0161k\u0105. Tapybos technologij\u0173 vadov\u0117liuose yra toks i\u0161sirei\u0161kimas \u201e\u017eem\u0117s kilm\u0117s pigmentai\u201c (atmintinai cituoju i\u0161 ka\u017ekelintaisiais para\u0161yto Vlado Karatajaus vadov\u0117lio \u201eTapybos technika\u201c). Kalbama apie visokias ochras, umbras ir pana\u0161iai. Akivaizdu, jog N. Saukien\u0117s paveiksluose \u0161ie dalykai,\u00a0\u2013 netgi kaip tam tikras koloristinis \u201ecementas\u201c,\u00a0\u2013 egzistuoja. Ta\u010diau esm\u0117 slypi netgi ne \u010dia. Nomedos tapyba yra \u017eemi\u0161ka, nes \u017eem\u0117 joje sutinkama kaip tam tikra substancin\u0117 s\u0105lyga. Prad\u0117kime nuo to, kad dailinink\u0117s (o automati\u0161kai ir \u017ei\u016brovo, nes \u0161i\u0173 eilu\u010di\u0173 autorius laikosi empati\u0161kai kentaurin\u0117s t\u0173 dviej\u0173 skirting\u0173 barikad\u0173 pusi\u0173 simbioz\u0117s teorijos) \u017ei\u016br\u0117jimo ta\u0161kas yra \u017eemas. Tapomus objektus ji mato ne i\u0161 auk\u0161to ar auk\u0161tai, bet i\u0161 j\u0173 pa\u010di\u0173 auk\u0161\u010dio\u00a0\u2013 k\u016br\u0117ja su savo persona\u017eais komunikuoja kaip lygi su lygiais. Manau, tai esmin\u0117 tikr\u0173, nuo\u0161ird\u017ei\u0173, nat\u016brali\u0173 santyki\u0173 s\u0105lyga. Juk kaip galima pavaizduoti \u017eydint\u012f augal\u0105, \u017ev\u0117r\u012f (tegul ir tik jo kail\u012f), vaik\u0105 ar net Mirt\u012f (tegul tik kukliu kaukol\u0117s atributu), neb\u016bnant lygiaver\u010diuose santykiuose su jais?<\/p>\n<p>Antra, N. Saukien\u0117s k\u016bryba, be joki\u0173 abejoni\u0173, yra susijusi su augalais. Turb\u016bt daugelis i\u0161 m\u016bs\u0173 j\u0105 ir pa\u017e\u012fsta (ar tariasi pa\u017e\u012fstantys) kaip g\u0117lyn\u0173 bei \u017eolyn\u0173 tapytoj\u0105. Fauna \u0161alia floros \u010dia regisi kaip kokie pipirai ar druska, suteikiantys vaizdo kritinei masei skonio bei, \u017einoma, gyvyb\u0117s. Nors, kita vertus, dailinink\u0117, empati\u0161kai \u012fsijausdama \u012f augal\u0173 gyvenimus (manau, kad supras netgi tie, kas kruop\u0161\u010diai ir meiliai r\u016bpinasi vazonini\u0173 g\u0117li\u0173 auginimu, nekalbant apie visokius dar\u017eelius ar dar\u017eus), juos nutapo taip, kad \u0161ie ne tik regisi, bet ir jau\u010diasi it kuo tikriausi \u017emon\u0117s.<\/p>\n<p>Galima netgi sakyti, kad Nomeda tapo ne augalus. Ji tapo save ir savo aplink\u0105\u00a0\u2013 \u0161eim\u0105, artimuosius. Ne tod\u0117l, kad (et, b\u016bsiu familiarus) kokiame nors kere galima i\u0161vysti \u0160ar\u016bno profil\u012f, Mykolo siluet\u0105, Monikos portret\u0105 ar, juo labiau, pa\u010dios autor\u0117s atspind\u012f. Galb\u016bt netgi taip. Bet svarbiau, kad augalas N. Saukien\u0117s paveiksluose veikia kaip koks totemas, savo i\u0161 vidaus tvinksin\u010dia gyvybe \u012fk\u016bnijantis konkre\u010dius asmenis.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_btn title=&#8221;Pirkti \u017eurnal\u0105&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;white&#8221; link=&#8221;url:http%3A%2F%2Fwww.nemunas.press%2Fproduktas%2Fnemunas-nr-10-2020%2F|||&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dusetose gyvenan\u010dios dailinink\u0117s tapyba yra \u017eemi\u0161ka tiek savo spalvomis, tiek lygiaver\u010diu santykiu, kai \u012f vaizduojamus augalus bei gyv\u016bnus \u017evelgiama \u201eakis \u012f ak\u012f\u201c. N.\u00a0Saukien\u0117s paveiksluose atsispindinti gamta\u00a0\u2013 tarsi i\u0161 Senojo Testamento Edeno sod\u0173, tuoj po pirmosios nuod\u0117m\u0117s.<\/p>\n","protected":false},"author":1,"featured_media":27927,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[422,148,110,442],"tags":[313],"class_list":["post-27926","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2020-10","category-perkami_str","category-straipsniai","category-straipsniu-archyvas-2020","tag-vizualusis-menas"],"aioseo_notices":[],"wps_subtitle":"Vidas Po\u0161kus","_links":{"self":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/27926","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/comments?post=27926"}],"version-history":[{"count":1,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/27926\/revisions"}],"predecessor-version":[{"id":27928,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/27926\/revisions\/27928"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media\/27927"}],"wp:attachment":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media?parent=27926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/categories?post=27926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/tags?post=27926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}