{"id":24718,"date":"2018-09-20T19:17:09","date_gmt":"2018-09-20T19:17:09","guid":{"rendered":"http:\/\/www.nemunas.press\/?p=24718"},"modified":"2019-01-26T00:23:57","modified_gmt":"2019-01-26T00:23:57","slug":"sokis-virs-kalbancio-misko-naomi-kawase-vizijos","status":"publish","type":"post","link":"https:\/\/www.nemunas.press\/straipsniai\/sokis-virs-kalbancio-misko-naomi-kawase-vizijos\/","title":{"rendered":"\u0160okis vir\u0161 kalban\u010dio mi\u0161ko. Naomi Kawase vizijos"},"content":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text el_class=&#8221;post_txt&#8221;]Centimetras per sekund\u0119 \u2013 tokiu grei\u010diu, \u0161aknimis skleisdami elektros impulsus, vieni su kitais bendrauja med\u017eiai. Subtiliame informacijos perdavimo procese taip pat dalyvauja gamtos stichijos: v\u0117jas, lietus, specialus greito reagavimo grybienos b\u016brys, vabzd\u017eiai ir \u017einduoliai. Pasak gamtininko Peterio Wohllebeno, knygos \u201ePaslaptingas med\u017ei\u0173 gyvenimas\u201c autoriaus, egzistuoja teorija, jog mi\u0161kus apraizg\u0119s pasaulinis mi\u0161katinklis, <em>Wood Wide Web<\/em>, sudarytas i\u0161 skirting\u0173 r\u016b\u0161i\u0173 med\u017ei\u0173 ir j\u0173 tarpusavio keitimosi informacija strategij\u0173. Jie maitinasi, socializuojasi, dauginasi, depresuoja, sensta, o pajut\u0119 pavoj\u0173 prakaituoja, skleisdami \u012fvairios chemin\u0117s sud\u0117ties ir aromato baim\u0117s kvap\u0105.<\/p>\n<p>Tok\u012f salsv\u0105, nos\u012f rie\u010diant\u012f kvap\u0105 uod\u017eiu perskai\u010diusi apie naktines operacijas Pelesos botaninio parko draustinyje, i\u0161girdusi apie rudenin\u0119 med\u017eiapj\u016bt\u0119 Labanoro girioje, net pris\u0117dusi ant modernaus suolelio mieste \u2013 tik ant paties kra\u0161telio, ie\u0161kodama paunksm\u0117s po dar per jaunu importiniu medeliu. Sudirgintomis jusl\u0117mis, deguonies tr\u016bkumo u\u017espaustais smilkiniais, slepiuosi kino teatre, kur \u017ealiuojan\u010dias smegenis ap\u0161vie\u010dia ekranas, ir priimu 11-ojo Tarptautinio Kauno kino festivalio kvietim\u0105 pab\u0117gti \u012f sakuromis \u017eydin\u010dius Jo\u0161ino kalnus.<\/p>\n<p>Kasdienis med\u017ei\u0173 gyvenimas vyksta kaip sul\u0117tintame kine \u2013 jie auga l\u0117tai, sudaryti i\u0161 ma\u017e\u0173 l\u0105steli\u0173, kuriose nedaug oro, aktyviems veiksmams atlikti reikia i\u0161tis\u0173 m\u0117nesi\u0173. Jie nepavald\u016bs skub\u0117jimui, o romanti\u0161kas \u0161ak\u0173 \u0161nar\u0117jimas, kalbant apie energij\u0105, kainuoja kalorijas, reikalingas su\u0161okti energing\u0105 fokstrot\u0105. Laiko ir l\u0117to gyvenimo b\u016bdo filosofijos s\u0105vokos sieja paslapting\u0105 med\u017ei\u0173 gyvenim\u0105 ir pasaulyje pripa\u017eint\u0105 japon\u0173 re\u017eisier\u0119 Naomi Kawase. \u201eU\u017eaugau Japonijoje, Naros miesto apylink\u0117se, kurios gamta ypa\u010d turtinga. Jei nori i\u0161vysti vy\u0161ni\u0173 \u017eyd\u0117jim\u0105 \u2013 lauk pavasario, jei nori paskanauti persimono \u2013 teks palaukti rudens. Koks svarbus yra laukimas\u201c, \u2013 sako ji.<!--more--><\/p>\n<p>L\u0117tai, ta\u010diau u\u017etikrintai pildosi re\u017eisier\u0117s per daugiau nei dvide\u0161imt met\u0173 sukurt\u0173 film\u0173 s\u0105ra\u0161as. Pirmieji jos darbai buvo palankiai sutikti Japonijoje, Naomi susi\u017e\u0117r\u0117 daug svarbiausi\u0173 kino industrijos \u012fvertinim\u0173: 1997 m. tapo pirm\u0105ja ir jauniausia japon\u0173 re\u017eisiere, pelniusia \u201eAuksin\u0117s kameros\u201c apdovanojim\u0105 Kan\u0173 kino festivalyje u\u017e pirm\u0105j\u012f savo ilgametra\u017e\u012f film\u0105 \u201eSuzaku\u201c (Moe no suzaku), 2000 m. jos drama \u201eJonvabalis\u201c (<em>Hotaru<\/em>) apdovanota FIPRESCI ir CICAE prizais Lokarno kino festivalyje, 2007 m. \u201eRaudantis mi\u0161kas\u201c (<em>Mogari no mori<\/em>) peln\u0117 Did\u012fj\u012f Kan\u0173 kino festivalio apdovanojim\u0105. N. Kawase \u2013 ne tik da\u017ena vie\u0161nia svarbiausi\u0173 kino festivali\u0173 konkursini\u0173 program\u0173 komisijose, ta\u010diau ir kino festivalio jauniesiems k\u016br\u0117jams gimtojoje Naroje iniciator\u0117.[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_btn title=&#8221;Pirkti \u017eurnal\u0105&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;white&#8221; link=&#8221;url:http%3A%2F%2Fwww.nemunas.press%2Fproduktas%2Fnemunas-nr-12-2017%2F|||&#8221;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pasakojimas apie japon\u0173 re\u017eisier\u0119, kurian\u010di\u0105 kinematografin\u0119 poezij\u0105, kurioje atsisakoma intensyvios intrigos, dramos, o herojai tarpusavyje kalbasi tarsi haiku eil\u0117ra\u0161\u010diais. Naomi filmuose faktas ir fikcija netenka skirtum\u0173, autenti\u0161kos asmenin\u0117s patirtys susipina su siurrealistin\u0117mis tikrov\u0117s deformavimo technikomis.<\/p>\n","protected":false},"author":1,"featured_media":24720,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[320,148,110,343],"tags":[130],"class_list":["post-24718","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2018-09","category-perkami_str","category-straipsniai","category-straipsniu-archyvas-2018","tag-kinas"],"aioseo_notices":[],"wps_subtitle":"Silvija Butkut\u0117","_links":{"self":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/24718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/comments?post=24718"}],"version-history":[{"count":2,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/24718\/revisions"}],"predecessor-version":[{"id":24801,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/24718\/revisions\/24801"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media\/24720"}],"wp:attachment":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media?parent=24718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/categories?post=24718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/tags?post=24718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}