{"id":22707,"date":"2017-02-20T16:40:58","date_gmt":"2017-02-20T16:40:58","guid":{"rendered":"http:\/\/www.nemunas.press\/?p=22707"},"modified":"2019-07-17T09:30:21","modified_gmt":"2019-07-17T09:30:21","slug":"kelione-i-kauno-art-deco-savaite-2032-aisiais","status":"publish","type":"post","link":"https:\/\/www.nemunas.press\/perkami_str\/kelione-i-kauno-art-deco-savaite-2032-aisiais\/","title":{"rendered":"Kelion\u0117 \u012f Kauno art deco savait\u0119 2032-aisiais"},"content":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text el_class=&#8221;post_txt&#8221;]\u0160i publikacija \u2013 tarsi lai\u0161kas sau, lai\u0161kas i\u0161 praeities \u012f ateit\u012f ir kartu \u2013 i\u0161 menamos ateities \u012f dabart\u012f. I\u0161 \u010cikagos kil\u0119s vienas \u017eymiausi\u0173 modernizmo architekt\u0173 Viljamas Leonardas Pereira (1909\u20131985, William L. Pereira) yra pasak\u0119s, kad architekt\u016bros misija \u2013 kurti planus, kurie u\u017etikrint\u0173 ateit\u012f. Nor\u0117\u010diau, kad ir mes, kaunie\u010diai, savo darbuose pirmiausia matytume kuriam\u0105 ateities i\u0161\u0161\u016bkius atitinkan\u010di\u0105 dabart\u012f. Tad kokia ji bus tada, kai atsinaujinusiam \u201eNemunui\u201c sukaks 25 metai, o mano atvykimui \u012f Kaun\u0105 \u2013 dar daugiau?..<!--more--><\/p>\n<p>Atsiminsiu t\u0105 \u017eiem\u0105, kai i\u0161 Vilniaus \u012f Kaun\u0105 va\u017eiavau su kitu \u010dikagie\u010diu, \u0161io miesto art deco myl\u0117toj\u0173 draugijos pirmininku, nema\u017eai pasaulio apkeliavusiu D\u017eo Lound\u017eu (Josephu Loundy\u2019u). Niekaip negal\u0117jome atsisteb\u0117ti, kaip jo taip pat vadovaujama Pasaulin\u0117 art deco gerb\u0117j\u0173 koalicija \u2013 daugyb\u0117 \u017emoni\u0173, kuriuos jung\u0117 meil\u0117 gro\u017eiui \u2013 vis dar atranda nauj\u0173 \u201eaukso am\u017eiaus\u201c miest\u0173, pastat\u0173 ir j\u0173 interjer\u0173&#8230; D\u017eo papasakojo nuostabi\u0105 vengro La\u0161lo Hudeco, gimusio Ladislavu Hudecu (L\u00e1szl\u00f3 Ede Hudec; Ladislav Hudec), istorij\u0105 \u2013 \u0161is architektas suk\u016br\u0117 modernistin\u012f \u0160anchaj\u0173, buvo naujo architekt\u016brinio termino Hu-Deco \u012fkvep\u0117jas. XXI a. prad\u017eioje vengrai prad\u0117jo rengti jam skirtus forumus savo namuose, Budape\u0161te. D\u017e. Loundis kalb\u0117jo: ir jums Kaune reikia tur\u0117ti forum\u0105, \u012f kur\u012f vien\u0105 kart\u0105 metuose gal\u0117t\u0173 atva\u017eiuoti \u017emon\u0117s. Pamatyti. \u012ekv\u0117pti miesto.<\/p>\n<p><strong>\u012e Kaun\u0105 atved\u0117 nam\u0173 interjero jausmas<\/strong><\/p>\n<p>At\u0161iaur\u0173 t\u0173 met\u0173 saus\u012f D\u017eo, vedamas smalsumo, pirmasis atvyko \u012f Kaun\u0105. Juk ka\u017ein kur (tada gin\u010dytasi, ar Ryt\u0173, ar \u0160iaur\u0117s Europos pakra\u0161tyje) atsirado dar vienas art deco stilistikos miestas. Ne tik pripa\u017e\u012fstantis, bet ir v\u0117l besim\u0117gaujantis \u201esmetonin\u0117s senel\u0117s\u201c estetika, siekiantis \u201ejuneskinio\u201c pripa\u017einimo. Kelrod\u017eiu m\u016bs\u0173 draugui i\u0161 Amerikos tapo \u017einomas Britanijos laikra\u0161tis (taip, tada dar \u0117jo popierin\u0117 spauda) \u201eThe Guardian\u201c, kart\u0105 metuose skelbdav\u0119s did\u012fj\u012f s\u0105ra\u0161\u0105 \u2013 10 rekomenduojam\u0173 Europos miest\u0173, geriausiai atitinkan\u010di\u0173 kur\u012f nors pra\u0117jusi\u0173 laikotarpi\u0173. T\u0173 met\u0173 tema buvo art deco, pirmoje vietoje \u2013 Pa-ry\u017eius, o antroje&#8230; Kaunas. \u201ePo \u0161imts pypki\u0173, kas \u010dia?\u201c \u2013 matyt, pagalvojo veiklus amerikonas. Ir po trij\u0173 m\u0117nesi\u0173 a\u0161 j\u012f ve\u017eiau savo automobiliu tada tik keturias eiles tur\u0117jusia automagistrale i\u0161 Vilniaus.<\/p>\n<p>Tuomet jau buvome sureng\u0119 rudenin\u0119 parod\u0105 \u201eArt deco Kaune 1919\u20131940. Nam\u0173 jausmas\u201c. Ja labai nor\u0117josi askleisti, kad Pirmosios Respublikos estetika \u2013 ne tik fasadai, bet ir vidus, interjeras, nam\u0173 jaukumas. Su kolegomis sutar\u0117me, kad geriausias parodos pavadinimas ir visos m\u016bs\u0173 veiklos \u012fvardijimas bus \u201eArt deco Kaunas\u201c. \u0160is terminas pasauliui pla\u010diausiai \u017einomas kaip apibr\u0117\u017eiantis \u201eaukso am\u017eiaus\u201c laikotarpio stili\u0173. Taigi sudar\u0117me \u201erinkodaros plan\u0105\u201c, o viena jo dali\u0173 buvo para\u0161yti angl\u0173 kalba prane\u0161im\u0105 spaudai arba \u201elai\u0161k\u0105 pasauliui butelyje\u201c. Atrod\u0117, veltui metame ra\u0161tel\u012f \u012f j\u016br\u0105 \u2013 niekas to prane\u0161imo neskaitys. I\u0161skyrus miel\u0105 Turizmo departamento sostin\u0117je valdinink\u0119, kuri m\u016bs\u0173 nuotrauk\u0105 bei m\u016bs\u0173 \u201enam\u0173 parodos\u201c apra\u0161\u0105 \u012fd\u0117jo \u012f savo puslap\u012f.<\/p>\n<p>Vis d\u0117lto \u012f informacijos j\u016br\u0105 \u012fmestus ra\u0161telius kas nors i\u0161traukia. Taip ir su mumis t\u0105 pavasar\u012f per tada mading\u0105 \u201eFacebook Chat\u201c susisiek\u0117 D\u017eonas Brajantas (Jon Bryant). Klaus\u0117 tiesiai \u2013 kur Kaune art deco stiliaus vie\u0161butis ir kur geriausia stilingai papietauti. Pasirod\u0117 keista, bet bendravome maloniai, paskui vasar\u0105 j\u012f kiek primir\u0161ome. O pirmomis rudens dienomis \u012f tuometinius \u201eplan\u0161etus\u201c visoje Europoje i\u0161 \u201eThe Guardian\u201c dangorai\u017eio Londone pasibeld\u0117 \u017einia. Auk\u0161tas baltas Kristaus Prisk\u0117limo bazilikos bok\u0161tas m\u0117lyno dangaus fone kviet\u0117 \u2013 Kaunas antras Europoje art deco miestas!<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_btn title=&#8221;Pirkti \u017eurnal\u0105&#8221; style=&#8221;classic&#8221; shape=&#8221;square&#8221; color=&#8221;white&#8221; link=&#8221;url:http%3A%2F%2Fwww.nemunas.press%2Fproduktas%2Fnemunas-nr-2-2017-vasaris%2F|||&#8221;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; css_animation=&#8221;&#8221;][vc_column][vc_column_text el_class=&#8221;post_txt&#8221;]\u0160i publikacija \u2013 tarsi lai\u0161kas sau, lai\u0161kas i\u0161 praeities \u012f ateit\u012f ir kartu \u2013 i\u0161 menamos ateities \u012f dabart\u012f. I\u0161 \u010cikagos kil\u0119s vienas \u017eymiausi\u0173 modernizmo architekt\u0173 Viljamas Leonardas Pereira (1909\u20131985, William L. Pereira) yra pasak\u0119s, kad architekt\u016bros misija \u2013 kurti planus, kurie u\u017etikrint\u0173 ateit\u012f&#8230;.<\/p>\n","protected":false},"author":1,"featured_media":22476,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[156,148,299],"tags":[332],"class_list":["post-22707","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2017-02","category-perkami_str","category-straipsniu-archyvas-2017","tag-architektura"],"aioseo_notices":[],"wps_subtitle":"DAINIUS LANAUSKAS","_links":{"self":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/22707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/comments?post=22707"}],"version-history":[{"count":1,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/22707\/revisions"}],"predecessor-version":[{"id":22708,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/22707\/revisions\/22708"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media\/22476"}],"wp:attachment":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media?parent=22707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/categories?post=22707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/tags?post=22707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}