[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column][vc_column_text el_class=”post_txt”]TADA JIS NEPAREINA<\/p>\n
Keramiko Remigijaus Sederevi\u010diaus k\u016brybinis palikimas ateities istorikams ir archeologams sukels rimt\u0173 keblum\u0173, jei Lietuvos up\u0117se ir e\u017eeruose jie aptiks paties k\u016br\u0117jo \u201eprocese\u201c (tiesa, ne k\u016brybiniame) paskandintus masalus. Be\u017euvaujant \u012f dugn\u0105 nugul\u0117 ne vienas XXI a. prad\u017eiai neb\u016bdingas masalas \u2013 keramiko sukurti porcelianiniai paauksuoti \u201evobleriai\u201c.<\/p>\n
Pokalb\u012f su R. Sederevi\u010diumi sunkinusi aplinkyb\u0117 \u2013 mudviej\u0173 aistra \u017evejybai, neju\u010diomis privertusi pasinerti \u012f jos ypatum\u0173 ir nuotyki\u0173 patirtis, o ne \u012f k\u016brybos gelmes. \u201eAnt \u0161ito ger\u0105 kibim\u0105 tur\u0117jau\u201c, \u2013 rodydamas \u201evobler\u012f\u201c pasakojo Remigijus. Ta\u010diau mano vizito tikslo keramiko dirbtuv\u0117se b\u016bta kito.<\/p>\n
Sukurti porcelianini\u0173 \u201evobleri\u0173\u201c serij\u0105 R. Sederevi\u010diui mintis kilo po 2003 m. pavasar\u012f I\u0161lau\u017eo karjere vykusio savadarbi\u0173 masal\u0173 spiningavimo var\u017eyb\u0173, kuri\u0173 metu Remigijus pagavo tris lydekas. Nuo to laiko jis masal\u0173 nebeperka.<\/p>\n
Prie\u0161 kurdamas, keramikas estetik\u0105 band\u0117 suderinti su funkcionalumu. \u201eVobleriai\u201c tur\u0117jo tarnauti ir pagal paskirt\u012f, tod\u0117l praleista ne viena naktis atliekant bandymus vonioje. Savo formomis, trapia med\u017eiaga, originaliu dekoru ak\u012f u\u017eburiantys masalai, be kita ko, yra pritaikomi \u017evejyboje. Visai kaip fabrikiniai: neriantys ir plaukiantys. Visai kaip \u017evej\u0173 parduotuvi\u0173 lentynose: susverti, su pa\u017eym\u0117tais gramais ir instrukcija. Autoriaus sukurtoje porcelianini\u0173 masal\u0173 kolekcijoje \u2013 sportin\u0117, dekoratyvi, \u201e\u017ev\u0117ries-grobuonio\u201c ir, be abejo, moteri\u0161kumo temos.<\/p>\n
TAKTILIKA IR TAKTAS<\/p>\n
\u201eMoters formos i\u0161skirtinai esteti\u0161kos, aptakios. \u0160velnumas \u2013 tai, kas joje gra\u017eiausia. Keramikoje k\u016bryba neatsiejama nuo lyt\u0117jimo: tu \u017eiedi, lieti, glostai pavir\u0161ius delnais, pir\u0161tais, taip pat subtiliai, kaip ir moter\u012f\u201c. Pasak k\u016br\u0117jo, formas diktuoja ir pati med\u017eiaga. \u201ePorcelianas labai trapus, reikalaujantis i\u0161skirtinio jautrumo. Tai \u2013 taktili\u0161kas menas. Be to, i\u0161va\u017eiuoji m\u0117nesiui ar ilgiau \u012f simpozium\u0105 ar plener\u0105 palik\u0119s \u017emon\u0105 \u2013 nat\u016braliai gimsta ka\u017ekas moteri\u0161ko\u201c, \u2013 \u0161ypsojosi R. Sederevi\u010dius.<\/p>\n
R. Sederevi\u010dius neturi joki\u0173 tabu. Jis \u012fsitikin\u0119s, kad jei mene nieko nedarai spekuliatyviai, jauti takt\u0105 ir atsakomyb\u0119 prie\u0161 studentus, b\u016bsimus parodos lankytojus, tuomet temos \u2013 berib\u0117s.[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column][vc_btn title=”Pirkti \u017eurnal\u0105” style=”classic” shape=”square” color=”white” link=”url:http%3A%2F%2Fwww.nemunas.press%2Fproduktas%2Fnemunas-nr-4-2017-balandis%2F|||”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column][vc_column_text el_class=”post_txt”]TADA JIS NEPAREINA Keramiko Remigijaus Sederevi\u010diaus k\u016brybinis palikimas ateities istorikams ir archeologams sukels rimt\u0173 keblum\u0173, jei Lietuvos up\u0117se ir e\u017eeruose jie aptiks paties k\u016br\u0117jo \u201eprocese\u201c (tiesa, ne k\u016brybiniame) paskandintus masalus. Be\u017euvaujant \u012f dugn\u0105 nugul\u0117 ne vienas XXI a. prad\u017eiai neb\u016bdingas masalas \u2013 keramiko sukurti…<\/p>\n","protected":false},"author":1,"featured_media":22404,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[152,148,299],"tags":[313],"class_list":["post-22402","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2017-04","category-perkami_str","category-straipsniu-archyvas-2017","tag-vizualusis-menas"],"aioseo_notices":[],"wps_subtitle":"Edita Grudzinskait\u0117","_links":{"self":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/22402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/comments?post=22402"}],"version-history":[{"count":3,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/22402\/revisions"}],"predecessor-version":[{"id":22415,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/22402\/revisions\/22415"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media\/22404"}],"wp:attachment":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media?parent=22402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/categories?post=22402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/tags?post=22402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}