[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column][vc_column_text el_class=”post_txt”]Re\u017eisieriaus Rono del Piero pristatin\u0117ti nereikia. \u017danro klasikas po trisde\u0161imt septintosios, trisde\u0161imt a\u0161tuntosios, trisde\u0161imt devintosios, keturiasde\u0161imt ketvirtosios, penkiasde\u0161imt a\u0161tuntosios, \u0161e\u0161iasde\u0161imt tre\u010diosios, \u0161e\u0161iasde\u0161imt penktosios, \u0161e\u0161iasde\u0161imt \u0161e\u0161tosios ir \u0161e\u0161iasde\u0161imt septintosios \u201ePrisiskyn\u0119 ir nusitarkav\u0119\u201c dali\u0173 u\u017esik\u0117l\u0117 sau gan auk\u0161t\u0105 kartel\u0119: nuostab\u016bs specialieji efektai, daugiamilijoninio biud\u017eeto chalvos valgymo scenos, kvap\u0105 gniau\u017eiantys vizitai \u012f logistikos centr\u0105. I\u0161ties, stulbinanti kino juost\u0173 s\u0117km\u0117. Nenuostabu, jog ir naujojo re\u017eisieriaus darbo laukia daugyb\u0117 asmen\u0173. Ko gero, naujoji \u201ePrisiskyn\u0119 ir nusitarkav\u0119 68\u201c (angl. \u201eBeautiful Apples 68\u201c) dalis pranoks netgi klasika tapus\u012f \u201e\u017dudik\u0105, kuris ie\u0161kojo askarid\u017ei\u0173\u201c (angl. \u201eAngry Men With Nice Friends\u201c).<\/p>\n
\u012e kino teatr\u0105 steb\u0117ti juostos pasileidau i\u0161kart po tarpdisciplininio audiovizualinio \u201eslam\u201c poezijos renginio buvusiame politechnikume. Beklausydamas skaitym\u0173 ma\u017eum\u0117l\u0119 i\u0161alkau. Kino teatro sal\u0119 Nr. 8 pasiekiau ne\u0161inas nedidele 43-\u0173 litr\u0173 sprag\u0117si\u0173 laikmena. Atsis\u0117dau ant s\u0117dmai\u0161io. Nuo pat pirm\u0173j\u0173 sekund\u017ei\u0173 pajutau, kaip juosta mane \u012ftraukin\u0117ja. Vis\u0173 pirma, tod\u0117l, jog re\u017eisierius pasitelk\u0117 kozir\u012f \u2013 scenarist\u0105 John\u0105 Parmiggiano, puikiai \u017einom\u0105 i\u0161 keturis Oskarus susi\u017e\u0117rusio \u201eWhat a Gorgeous World\u201c (liet. \u201eGeorgijaus pasaulis\u201c). Ovacij\u0173 vertas pasirinkimas. Ko verti vien dialogai degalin\u0117je, kuomet jos operatorius D\u017eord\u017eas (akt. K.Spacey) i\u0161ra\u0161o s\u0105skait\u0105 fakt\u016br\u0105 u\u017e savivaldyb\u0117s tarnautojo D\u017eimo (akt. G. Clooney) A98 degalus i\u0161 septintos kolon\u0117l\u0117s. Tiesa, tai nebuvo pats \u012fsimintiniausias Kevino Spacey\u2019io vaidmuo, nors ekrane skamb\u0117jusios jo fraz\u0117s ir pretenduoja tapti folkloru (\u201eKempin\u0117 i\u0161saus\u0117jo!\u201c, \u201eBalbinai, pats i\u0161simasa\u017euok!\u201c). U\u017etat pagyr\u0173 nusipelno lenktynininko Maiklo persona\u017eas (akt. G. Stau\u010d\u0117). Aktorius pademonstravo auk\u0161t\u0105j\u012f pilota\u017e\u0105, suvaidin\u0119s nenusp\u0117jam\u0105 charakter\u012f, kuris vien\u0105 akimirk\u0105 gali maitintis ajurvedi\u0161kai, o kit\u0105 \u2013 smogti \u012f snuk\u012f. Auk\u0161\u010diausios prabos vaidyba. Tiesa, ne iki galo i\u0161vystyta pasirod\u0117 siu\u017eetin\u0117 meil\u0117s linija, kuomet \u012fsimyl\u0117j\u0117liai Styvas (akt. D. Nagijev) ir D\u017eein\u0117 (akt. G. Depardieu) kuprin\u0117se randa permatom\u0173 A4 formato lap\u0173 \u012fmau\u010di\u0173. Ta\u010diau bendro filmo \u012fsp\u016bd\u017eio \u0161is tr\u016bkumas nesugadina.<\/p>\n
Vizualin\u0117 k\u016brinio dalis \u017eeria staigmen\u0105 po staigmenos. Festivalio \u201eSundance\u201c pa\u017eiba \u2013 operatorius Gustavo Webcam \u2013 atliko nuostab\u0173 kadro padrebinimo darb\u0105. Ne\u012ftik\u0117tinai sufokusuota. Tobulai pagauti rakursai. Vienas \u012fsp\u016bdingiausi\u0173 kameros darb\u0173 \u0161iais metais.<\/p>\n
Pagyr\u0173 nusipelno ir garso takelis. Kai at\u0117jau \u012f seans\u0105, mano aus\u0173 b\u016bgneliai buvo u\u017esiki\u0161\u0119 siera, ta\u010diau filmo muzika b\u016bgnelius atki\u0161o. Tai buvo taip jautru, taip tikra. Tai buvo tobula.<\/p>\n
A\u0161 ne\u017einau, kas gali b\u016bti geriau u\u017e \u0161\u012f re\u017eisieriaus darb\u0105. J\u012f pamatyti privalo kiekvienas kino gurmanas. Jau dabar smalsauju, k\u0105 atne\u0161 \u0161e\u0161iasde\u0161imt devintoji, septyniasde\u0161imtoji bei septyniasde\u0161imt pirmoji filmo dalys.<\/p>\n
Verdiktas:
\n9 pemzos i\u0161 10[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column][vc_btn title=”Pirkti \u017eurnal\u0105” style=”classic” shape=”square” color=”white” link=”url:http%3A%2F%2Fwww.nemunas.press%2Fproduktas%2Fnemunas-nr-3-2017%2F|||”][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"
[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” css_animation=””][vc_column][vc_column_text el_class=”post_txt”]Re\u017eisieriaus Rono del Piero pristatin\u0117ti nereikia. \u017danro klasikas po trisde\u0161imt septintosios, trisde\u0161imt a\u0161tuntosios, trisde\u0161imt devintosios, keturiasde\u0161imt ketvirtosios, penkiasde\u0161imt a\u0161tuntosios, \u0161e\u0161iasde\u0161imt tre\u010diosios, \u0161e\u0161iasde\u0161imt penktosios, \u0161e\u0161iasde\u0161imt \u0161e\u0161tosios ir \u0161e\u0161iasde\u0161imt septintosios \u201ePrisiskyn\u0119 ir nusitarkav\u0119\u201c dali\u0173 u\u017esik\u0117l\u0117 sau gan auk\u0161t\u0105 kartel\u0119: nuostab\u016bs specialieji efektai, daugiamilijoninio biud\u017eeto chalvos valgymo…<\/p>\n","protected":false},"author":1,"featured_media":22276,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","footnotes":""},"categories":[154,148,299],"tags":[114],"class_list":["post-22289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2017-03","category-perkami_str","category-straipsniu-archyvas-2017","tag-postliteratura"],"aioseo_notices":[],"wps_subtitle":"LUKAS \u0160IDLAUSKAS","_links":{"self":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/22289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/comments?post=22289"}],"version-history":[{"count":7,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/22289\/revisions"}],"predecessor-version":[{"id":22430,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/posts\/22289\/revisions\/22430"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media\/22276"}],"wp:attachment":[{"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/media?parent=22289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/categories?post=22289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nemunas.press\/wm-api\/wp\/v2\/tags?post=22289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}